The Grand Théâtre invites you to discover the world of Flamenco with one of its most prestigious ambassadors: Sara Baras. This performance has just the right balance of madness and fever to appeal to any flamenco lover. An unmissable event.
Like a meditative journey tinged with nostalgia, Natalia Horecna and Andrew Skeels invite us on a journey in which love, passion and lyricism mark their route towards an open spirituality suffused with freedom.
Organised by the Concours de Genève as part of its Laureates Festival, this concert will introduce you to the young talents of the future and is not to be missed. The programme features music by Wolfgang Amadeus Mozart and Carl Philipp Emanuel Bach.
Another noteworthy return in Geneva, is that of Sonya Yoncheva for a recital with orchestra. Her round, intoxicating timbre will guarantee you an unforgettable evening at the Opéra des Nations; a rare, unmissable event.
In May, the maestro Ricardo Muti will honour the Grand Théâtre with his presence. For this gala concert he will conduct the Orchestra Giovanile Luigi Cherubini, which he founded in 2004 to give young Italian musicians the opportunity to forge solid orchestral experience.
With their concert Coup de Chœur! the artists from the Choir of the Grand Théâtre de Genève present a highly colourful programme. Blending sacred and secular works from the 17th to the 20th century, the Choir will introduce you to an entire section of the choral repertoire in the impressive acoustics of the Temple de Saint-Gervais.
From 1872 Fantasio, which preceded The Tales of Hoffmann, was no longer performed. Today it rises from the ashes thanks to a co-production with the Opéra Comique. Transformed into a libretto by Paul de Musset, Alfred de Musset’s text takes on an operatic spirit.
Ascanio is presented in collaboration with the Haute Ecole de Musique de Genève and conducted by Guillaume Tourniaire. In a masterful tapestry of leitmotifs, the piece blends the sensuality of French music, the passionate accents of Italian lyricism and the refinement of the melodies and dances of the Renaissance repertoire.
To celebrate the Christmas period, explore one of Johann Strauss the Younger’s most popular operettas. Inspired by the novel Sáffi, the story tells of Barinkay’s return from exile. Let yourself be swept away by the waltzes, mazurkas, polkas and csárdás that delighted Viennese and Parisian audiences.
From 1838, Goethe’s Faust never left Gounoud’s side. The simple theme, as old as time itself, was based on a timeless legend, one that obsessed him from an early age. But above all, he was interested in Marguerite: a young, ambiguous, frivolous woman, seduced and abandoned…
This oratorio, which was nearly 10 years in the making, was a gift from Robert Schumann to his wife Clara. In it, he offers the world his luminous lyricism and his religious, philosophical and existential questions. It is a work to discover or rediscover, completing the portrait of Faust, celebrated this season.
Although Mascagni and Leoncavallo never worked together, Cavalleria Rusticana and Pagliacci have become inseparable in the operatic world. As each is too court to make up a full evening’s performance, they found themselves on the same bill at the Met one evening in 1895. They have since become inseparable.
Famous for its “cold song”, the semi-opera King Arthur tells of the birth of Britain and the victory of King Arthur over the Saxons. Here, Henry Purcell has composed his most elegant stage music in which tragedy alternates with humour.
Over the course of a year, the stage of the Opéra des Nations will play host to the Da Ponte trilogy, Mozart’s three operas created in collaboration with the librettist Lorenzo Da Ponte. In this masterpiece, in which the grotesque flirts with the tragic, we reach the quintessence of Mozart’s genius.
An outstanding recitalist and performer of French and Russian music, as well as German Lied, Marie-Nicole Lemieux wins over her audience with her charisma, communicative exuberance and her voice, blessed with deep notes that are caressing or flamboyant at will.
Following two memorable appearances on stage at the Opéra des Nations during the 2016-2017 season, Willard White invites us to join him in an evening of melodies that introduce us to other aspects of his talent and his art.
With a programme dedicated to Mahler and Wagner in particular, Dorothea Röschmann will be the third recitalist of the season. Come and discover a magnificent voice and performer, but above all, come and enjoy what promises to be a truly memorable evening.
Now aged 42, Mikhail Petrenko is invited to perform with the greatest conductors on the greatest operatic stages. Whether he is playing Mephistopheles in Faust, Figaro in The Marriage of Figaro, Heinrich in Lohengrin, or Hagen in Götterdämmerung, the artist wins over his audience, recalling the great Russian basses who have made their mark on the operatic repertoire.
To introduce young, and less young, audiences to the sometimes complex world of opera, the Grand Théâtre de Genève invites you to discover Figaro-ci, Figaro-là !. The performance is specially designed as an introduction to opera, and pays tribute to one of the pivotal characters in opera in general, and this season in particular: Figaro.